ScoreTagline
tagline = "Copyright (C) 2011 Richard Shann"
tagline: Copyright (C) 2011 Richard Shann
36
Copyright
copyright = "Creative Commons Non-Commercial License."
Creative Commons Non-Commercial License.
Date
date = "1593"
1593
BookTitle
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\fontsize #-1 {Pavana & Galliarda Dolorosa}
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Edited by ...
Edited by Richard Shann
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Peter Phil...
Peter Phillips
36
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1593
1593
36
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Contents.
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2147483647
a4
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1
9
CriticalCommentary
\pageBreak
\titledPiece \markup "Critical Commentary"
\markup { \fill-line {\postscript #"-12 3 moveto 24 0 rlineto stroke"}}
\markup {\italic \wordwrap-string #"
This piece comes from manuscript MU MS 168 in the Fitzwilliam Museum, Cambridge, England, part of the founder's bequest of 1816.
The pieces are harpsichord/virginal pieces and, unusually, there is internal evidence for the keyboard layout intended for playing this piece which I discuss in the notes.
The ms was transcribed by Fuller Maitland and Barclay Squire in the late Victorian period and later reprinted by Dover Publications. This edition is available on IMSLP http://imslp.org/wiki/Fitzwilliam_Virginal_Book_(Tregian,_Francis_(the_Younger)). I compared this 40 years ago with the original, looking particularly for transcription errors, but apart from the spurious \"Set by\" I did not record any.
In particular, the five wrong notes noted below have not been mis-trancribed by them, but presumably by the original manuscript copyist. Sadly, all the performances I have heard of this piece perpetuate the error.
The abbreviation Treg. appears after the title of the Pavan which forms part of the basis for the romantic tradition that the manuscript was written in the Fleet Prison by Francis Tregian, but the museum itself disputes that there is even a single copyist involved. The accidentals given here are only my suggestions, where especially controversial (e.g. contradicting something explicitly present in ms) I have made a note. The Dover edition can be consulted for other suggestions. This edition was created using Denemo (http://denemo.org) and a source file is available there.
The notes below identify the location by the codes m1 = Pavan, m2 = Galliard, m3 = Appendix 1, m4 = Appendix 2, m5 Appendix 3, v = voice number, counting (rather roughly) from the top, b = bar number.
Note that the double length bars are counted as two in the bar numbering.
"}
\markup { \wordwrap-string #"1. At m1 v1 b16: The barlines separating the sections are all decorated with dots in the ms."}
\markup { \wordwrap-string #"2. At m1 v3 b40: F-sharp in ms, but the parallel passages have f-natural"}
\markup { \wordwrap-string #"3. At m1 v5 b50: The g-sharp is not normally available with the short octave tuning; it requires an instrument with so-called split sharps. In this case the front half of the accidental key plays E while the back half gives the g-sharp."}
\markup { \wordwrap-string #"4. At m1 v5 b59: The notes d' e' f' d' e' are one degree higher in the ms"}
\markup { \wordwrap-string #"5. At m1 v1 b81: B-flat is possible, however it is not indicated in ms nor in the lute versions."}
\markup { \wordwrap-string #"6. At m1 v3 b135: The rest of the movement is written to exploit the so-called \"short octave\" tuning. The keyboard appears to descend only to E, but the notes E. F-sharp and G-sharp are tuned to C, D, E respectively giving a full octave from C with only one accidental, B-flat. With this tuning, the left hand just \"paddles\" up and down, as if playing octaves but sounding alternating octaves and tenths."}
\markup { \wordwrap-string #"7. At m1 v1 b139: The F-sharp is not reverted"}
\markup { \wordwrap-string #"8. At m2 v2 b23: Last note is c' in ms"}
\markup { \wordwrap-string #"9. At m2 v3 b38: Tie is missing in ms; it is also absent in the repeat, so perhaps the ommission is intended."}
\markup { \wordwrap-string #"10. At m2 v5 b42: The note C is missing (see next section)"}
\markup { \wordwrap-string #"11. At m2 v4 b43: This is highly idiomatic writing for the short octave keyboard"}
\markup { \wordwrap-string #"12. At m2 v1 b47: The B-flat is conjectural"}
\markup { \wordwrap-string #"13. At m2 v4 b47: The B-flat is conjectural"}
\markup { \wordwrap-string #"14. At m2 v3 b51: The note a' is missing (see previous section)"}
\markup { \wordwrap-string #"15. At m2 v3 b52: Tie is missing in ms (see before)"}
\markup { \wordwrap-string #"16. At m2 v3 b60: The left hand figure is missing in ms."}
\markup { \wordwrap-string #"17. At m2 v1 b61: This final chord may be just a notational flourish to mark the end of the piece, since other pieces have such repeated final chords that are quite clearly not intended for performance."}
\markup { \wordwrap-string #"18. At m3 v1 b1: From Georg Leopold Fuhrmann Testudo Gallo-Germanica (Nürnberg, 1615); transcriber unknown. My thanks to Edgar Aichinger for help with this version."}
\markup { \wordwrap-string #"19. At m4 v1 b1: Cambridge University Library MS Dd.5.78.3 (ca. 1600), f.65v; Dd.9.33 (ca. 1600), f.14v. Encoded and edited by Sarge Gerbode."}
\markup { \wordwrap-string #"20. At m5 v1 b1: Cambridge University Library MS Dd.9.33 (C) (ca. 1600), f.15. Encoded and edited by Sarge Gerbode."}
16
CriticalCommentaryIntro
Critical Commentary
This piece comes from manuscript MU MS 168 in the Fitzwilliam Museum, Cambridge, England, part of the founder's bequest of 1816.
The pieces are harpsichord/virginal pieces and, unusually, there is internal evidence for the keyboard layout intended for playing this piece which I discuss in the notes.
The ms was transcribed by Fuller Maitland and Barclay Squire in the late Victorian period and later reprinted by Dover Publications. This edition is available on IMSLP http://imslp.org/wiki/Fitzwilliam_Virginal_Book_(Tregian,_Francis_(the_Younger)). I compared this 40 years ago with the original, looking particularly for transcription errors, but apart from the spurious "Set by" I did not record any.
In particular, the five wrong notes noted below have not been mis-trancribed by them, but presumably by the original manuscript copyist. Sadly, all the performances I have heard of this piece perpetuate the error.
The abbreviation Treg. appears after the title of the Pavan which forms part of the basis for the romantic tradition that the manuscript was written in the Fleet Prison by Francis Tregian, but the museum itself disputes that there is even a single copyist involved. The accidentals given here are only my suggestions, where especially controversial (e.g. contradicting something explicitly present in ms) I have made a note. The Dover edition can be consulted for other suggestions. This edition was created using Denemo (http://denemo.org) and a source file is available there.
The notes below identify the location by the codes m1 = Pavan, m2 = Galliard, m3 = Appendix 1, m4 = Appendix 2, m5 Appendix 3, v = voice number, counting (rather roughly) from the top, b = bar number.
Note that the double length bars are counted as two in the bar numbering.
12
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TitledPiece
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Pavana
Pavana
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119
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The barlines separating the sections are all decorated with dots in the ms.
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CriticalComment
B-flat is possible, however it is not indicated in ms nor in the lute versions.
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1
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1
2
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WarnAccidental
!
4
2
3
4
5
0
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2
3
2
3
4
5
4
5
6
5
6
7
5
6
1
2
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7
8
7
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3
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CriticalComment
The F-sharp is not reverted
30
8
3
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89ac8cf99d3ad1172c2df814d3fa3c1d
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0
0
Voice
\voiceTwo
v2
Serif
24
1
1
1
StaffChange
\change Staff="voice 3"
⇒voice 3
Denemo
12
50
-1
ShiftForVoices
\shiftOff
No Shift
30
-3
StaffChange
\change Staff="voice 1"
⇒voice 1
Denemo
12
50
-1
2
3
2
1
0
-2
1
1
1
0
-1
0
1
0
-1
-2
-1
0
-1
0
0
0
-1
1
0
-1
-2
-2
-1
0
-1
-2
-1
0
-1
-2
-1
-2
-3
StaffChange
\change Staff="voice 3"
⇒voice 3
Denemo
12
50
-1
Voice
\voiceThree
v3
Serif
24
1
1
1
ShiftForVoices
\shiftOff
No Shift
30
-3
-7
-6
-5
-4
-3
Voice
\voiceTwo
v2
Serif
24
1
1
1
StaffChange
\change Staff="voice 1"
⇒voice 1
Denemo
12
50
-1
2
1
0
-1
0
1
1
0
-1
0
1
0
-1
-2
1
0
-2
1
0
-1
0
-2
-1
0
-1
0
1
0
-1
-2
-3
-1
1
2
3
2
1
0
-1
-2
-2
-1
0
1
2
3
4
-3
-2
-1
-2
-1
0
-2
-1
-3
-2
-1
Voice
\voiceOne
v1
Serif
24
1
1
1
0
1
2
3
4
2
3
2
1
0
-1
-2
Voice
\voiceTwo
v2
Serif
24
1
1
1
-1
0
2
1
0
-1
-2
-3
-2
-1
0
1
2
1
-3
0
ShiftForVoices
\shiftOff
No Shift
30
Voice
\voiceThree
v3
Serif
24
1
1
1
StaffChange
\change Staff="voice 3"
⇒voice 3
Denemo
12
50
-1
-3
1
-2
-3
-2
-3
-2
ShiftForVoices
\shiftOff
No Shift
30
-3
2
1
2
0
ShiftForVoices
\shiftOff
No Shift
30
2
Voice
\voiceTwo
v2
Serif
24
1
1
1
StaffChange
\change Staff="voice 1"
⇒voice 1
Denemo
12
50
-1
CriticalComment
F-sharp in ms, but the parallel passages have f-natural
30
8
1
3
4
3
4
2
4
3
4
2
4
3
2
1
0
1
2
2
1
Voice
\voiceThree
v3
Serif
24
1
1
1
StaffChange
\change Staff="voice 3"
⇒voice 3
Denemo
12
50
-1
1
1
0
Voice
\voiceTwo
v2
Serif
24
1
1
1
StaffChange
\change Staff="voice 1"
⇒voice 1
Denemo
12
50
-1
0
2
2
1
0
1
2
2
1
-1
NoBarline
\bar ""
⋂
Denemo
24
30
20
-20
4
0
2
1
2
1
2
1
2
1
0
1
2
3
4
2
1
0
2
1
-1
-2
-1
0
-1
0
-1
0
-1
0
-1
0
-1
-2
-1
Voice
\voiceOne
v1
Serif
24
1
1
1
ShiftForVoices
\shiftOn
Shift
30
1
0
-1
0
-1
0
ShiftForVoices
\shiftOff
No Shift
30
-1
PolyphonicRest
\rest
emmentaler
262
2
Voice
\oneVoice
vAuto
Serif
24
1
1
1
2
1
2
3
StaffChange
\change Staff="voice 3"
⇒voice 3
Denemo
12
50
-1
Voice
\voiceThree
v3
Serif
24
1
1
1
1
StaffChange
\change Staff="voice 1"
⇒voice 1
Denemo
12
50
-1
Voice
\voiceTwo
v2
Serif
24
1
1
1
2
1
0
1
2
StaffChange
\change Staff="voice 3"
⇒voice 3
Denemo
12
50
-1
ShiftForVoices
\shiftOff
No Shift
30
PolyphonicRest
\rest
emmentaler
262
0
-2
-5
StaffChange
\change Staff="voice 1"
⇒voice 1
Denemo
12
50
-1
Voice
\voiceTwo
v2
Serif
24
1
1
1
1
1
0
1
4
0
-1
0
0
0
1
2
StaffChange
\change Staff="voice 3"
⇒voice 3
Denemo
12
50
-1
-3
Voice
\voiceThree
v3
Serif
24
1
1
1
1
1
0
Voice
\voiceTwo
v2
Serif
24
1
1
1
StaffChange
\change Staff="voice 1"
⇒voice 1
Denemo
12
50
-1
-1
0
-1
-3
0
-2
-1
0
-1
-2
-1
0
1
0
-1
0
1
2
1
0
-2
1
1
2
3
4
3
2
3
4
5
4
3
1
4
2
1
0
0
0
-1
WarnAccidental
!
0
0
-2
-1
0
1
0
-1
0
1
2
1
0
1
2
1
1
-1
0
1
2
1
0
1
1
0
0
0
-1
-2
0
-1
0
-1
-2
-1
Voice
\voiceThree
v3
Serif
24
1
1
1
StaffChange
\change Staff="voice 3"
⇒voice 3
Denemo
12
50
-1
-5
-5
-7
ShiftForVoices
\shiftOff
No Shift
30
0
StaffChange
\change Staff="voice 1"
⇒voice 1
Denemo
12
50
-1
DisplaceRestHorizontally
\once \override Voice.Rest #'extra-offset = #'(1.5 . 0.0)
⬌
Denemo
24
30
4
PolyphonicRest
\rest
emmentaler
262
4
5
StaffChange
\change Staff="voice 3"
⇒voice 3
Denemo
12
50
-1
0
PolyphonicRest
\rest
emmentaler
262
-2
StaffChange
\change Staff="voice 1"
⇒voice 1
Denemo
12
50
-1
DisplaceRestHorizontally
\once \override Voice.Rest #'extra-offset = #'(1.5 . 0.0)
⬌
Denemo
24
30
4
PolyphonicRest
\rest
emmentaler
262
2
2
StaffChange
\change Staff="voice 3"
⇒voice 3
Denemo
12
50
-1
ShiftForVoices
\shiftOff
No Shift
30
1
-3
-4
-3
-2
-3
1
1
0
StaffChange
\change Staff="voice 1"
⇒voice 1
Denemo
12
50
-1
Voice
\voiceTwo
v2
Serif
24
1
1
1
-1
1
0
-1
0
1
-1
3
4
2
Voice
\voiceOne
v1
Serif
24
1
1
1
3
4
2
3
1
Voice
\voiceThree
v3
Serif
24
1
1
1
StaffChange
\change Staff="voice 3"
⇒voice 3
Denemo
12
50
-1
CriticalComment
The rest of the movement is written to exploit the so-called \"short octave\" tuning. The keyboard appears to descend only to E, but the notes E. F-sharp and G-sharp are tuned to C, D, E respectively giving a full octave from C with only one accidental, B-flat. With this tuning, the left hand just \"paddles\" up and down, as if playing octaves but sounding alternating octaves and tenths.
30
8
PolyphonicRest
\rest
emmentaler
262
-4
-5
ShiftForVoices
\shiftOff
No Shift
30
-4
-4
-3
-3
-2
-4
-3
-5
-4
-4
-5
-5
-4
1
-3
-4
StaffChange
\change Staff="voice 1"
⇒voice 1
Denemo
12
50
-1
PolyphonicRest
\rest
emmentaler
262
2
4
2
5
4
2
Voice
\voiceTwo
v2
Serif
24
1
1
1
voice 3
1
2
2
5
1
0
NONE
127
0
0
0
2
0
0
Voice
\voiceThree
v3
Serif
24
1
1
1
ShiftForVoices
\shiftOff
No Shift
30
-5
-4
-3
-3
-3
-3
-4
-5
-3
-4
-3
-4
-3
-4
-5
-4
1
-3
-4
-5
-6
-7
-6
-5
-4
-7
-6
1
-7
-6
-5
-4
-3
-4
1
-5
-6
-5
-4
-5
-4
-5
-4
-5
-6
-7
-6
-10
PolyphonicRest
\rest
emmentaler
262
-9
-7
-10
-3
-2
-3
-5
-2
-3
-4
-6
-5
-4
-3
-4
-5
-6
-3
-3
-3
-4
-2
1
-3
-4
-5
-6
PolyphonicRest
\rest
emmentaler
262
-6
-7
-6
-5
-4
-7
-6
1
-7
-4
-5
-6
-8
-7
-6
-5
-6
-7
-7
-10
PolyphonicRest
\rest
emmentaler
262
-8
Voice
\voiceFour
v4
Serif
24
1
1
1
ShiftForVoices
\shiftOff
No Shift
30
-5
-5
-5
ShiftForVoices
\shiftOff
No Shift
30
-5
Voice
\voiceThree
v3
Serif
24
1
1
1
-1
ShiftForVoices
\shiftOff
No Shift
30
-1
-2
1
-2
-2
-2
-1
0
0
-1
-1
0
2
1
1
2
-2
1
-2
-3
-4
-5
-4
-3
1
-2
-3
-5
NoBarline
\bar ""
⋂
Denemo
24
30
20
-20
4
-2
-1
0
-1
-3
-2
1
1
0
-1
-5
-2
-7
-6
-5
-4
-3
-5
-5
-2
-5
-3
Voice
\voiceTwo
v2
Serif
24
1
1
1
StaffChange
\change Staff="voice 1"
⇒voice 1
Denemo
12
50
-1
-2
-3
-2
-1
-2
StaffChange
\change Staff="voice 3"
⇒voice 3
Denemo
12
50
-1
ShiftForVoices
\shiftOff
No Shift
30
ShiftForVoices
\shiftOn
Shift
30
Voice
\voiceThree
v3
Serif
24
1
1
1
-2
-1
0
1
2
1
2
0
-1
-2
-1
2
Voice
\voiceTwo
v2
Serif
24
1
1
1
StaffChange
\change Staff="voice 1"
⇒voice 1
Denemo
12
50
-1
1
3
2
3
2
3
Voice
\voiceThree
v3
Serif
24
1
1
1
StaffChange
\change Staff="voice 3"
⇒voice 3
Denemo
12
50
-1
-2
-1
0
1
2
1
0
2
1
1
2
-2
1
-2
-3
-4
-5
1
-4
-3
-2
-5
-5
-2
-1
0
-1
-3
1
-2
1
1
0
-1
DisplaceRestHorizontally
\once \override Voice.Rest #'extra-offset = #'(2.0 . 0.0)
⬌
Denemo
24
30
4
PolyphonicRest
\rest
emmentaler
262
-5
-7
-6
-4
ShiftForVoices
\shiftOff
No Shift
30
-5
-5
PolyphonicRest
\rest
emmentaler
262
-2
PolyphonicRest
\rest
emmentaler
262
-1
0
1
-2
SuggestedAccidental
^\markup \flat
♭
Sans
30
-100
-1
0
-2
PolyphonicRest
\rest
emmentaler
262
-5
-3
1
-5
-4
-3
-2
-3
-4
-5
-4
-3
-2
-1
-3
-6
-5
-4
-3
-3
-3
-4
-5
-5
-6
-7
Voice
\voiceFour
v4
Serif
24
1
1
1
-6
PolyphonicRest
\rest
emmentaler
262
-4
-2
-3
-2
Voice
\voiceThree
v3
Serif
24
1
1
1
-3
-4
-5
-4
-3
-3
-2
-3
-6
-4
-5
-4
-3
-4
-5
-4
-3
-2
-3
-3
-4
-5
-3
-4
-5
-4
-3
-2
-2
-3
-3
-5
-4
-5
-6
-7
-6
-7
-6
-5
-4
-4
-3
-3
-2
-4
-3
-5
-4
-5
1
-3
-4
-7
-5
Voice
\voiceFour
v4
Serif
24
1
1
1
-7
-7
ShiftForVoices
\shiftOff
No Shift
30
-2
StaffChange
\change Staff="voice 1"
⇒voice 1
Denemo
12
50
-1
3
StaffChange
\change Staff="voice 3"
⇒voice 3
Denemo
12
50
-1
-3
StaffChange
\change Staff="voice 1"
⇒voice 1
Denemo
12
50
-1
0
Voice
\voiceThree
v3
Serif
24
1
1
1
StaffChange
\change Staff="voice 3"
⇒voice 3
Denemo
12
50
-1
-3
Voice
\voiceFour
v4
Serif
24
1
1
1
ShiftForVoices
\shiftOff
No Shift
30
-5
-6
-5
-6
-6
-2
-3
-2
-3
Voice
\voiceThree
v3
Serif
24
1
1
1
-5
-4
-4
-6
-3
-3
-5
-2
Voice
\voiceTwo
v2
Serif
24
1
1
1
StaffChange
\change Staff="voice 1"
⇒voice 1
Denemo
12
50
-1
1
1
1
0
-1
0
-1
StaffChange
\change Staff="voice 3"
⇒voice 3
Denemo
12
50
-1
Voice
\voiceFour
v4
Serif
24
1
1
1
-10
-7
ShiftForVoices
\shiftOff
No Shift
30
-7
-6
-6
-5
-5
-6
-6
-7
-7
-6
-7
-7
-6
-7
-6
-7
-5
-7
-4
4
2
Duration
\breve
emmentaler
6
NoteHead
\once \override NoteHead #'style = #'neomensural
nm
16
NoteColumnShift
\once \override NoteColumn #'force-hshift = #1.2
1.2
16
3072
-10
voice 4
1
2
2
5
3
0
NONE
127
0
0
0
3
0
0
BarNumbers
\context Score \applyContext #(set-bar-number-visibility 4000)
BarNumbers
4
BraceEnd
>>%Brace End
Brace End
1
52
Voice
\voiceFour
v4
Serif
24
1
1
1
ShiftForVoices
\shiftOff
No Shift
30
Tremolo
:16
trem
-7
-7
-7
-8
-9
-7
-8
-7
-8
-7
-8
-9
-8
1
-7
-8
-9
-10
-12
-11
-10
-9
-10
-11
1
-13
-12
-11
-12
-11
-10
-10
-14
-14
-7
-7
-7
-8
1
-7
-8
-9
-10
-12
-11
-10
-9
-10
-11
1
-13
-12
-11
-12
-11
-10
-10
-14
-10
-14
ShiftForVoices
\shiftOff
No Shift
30
-12
ShiftForVoices
\shiftOff
No Shift
30
-12
1
-9
-12
-9
-12
-9
ShiftForVoices
\shiftOff
No Shift
30
-12
1
-2
-3
-2
-3
-2
-5
1
-6
-7
-6
-7
-6
-9
-3
-2
0
-1
-6
-5
-4
-4
-5
-7
-6
-9
-8
-7
-7
-8
CriticalComment
The g-sharp is not normally available with the short octave tuning; it requires an instrument with so-called split sharps. In this case the front half of the accidental key plays E while the back half gives the g-sharp.
30
8
-10
NoBarline
\bar ""
⋂
Denemo
24
30
20
-20
4
-9
-8
-7
-6
1
-5
-8
-7
-6
-5
-9
-9
-12
Voice
\oneVoice
vAuto
Serif
24
1
1
1
-2
-3
-4
-5
-6
-7
-8
-9
-8
-7
-6
-5
-6
-5
-7
-9
CriticalComment
The notes d' e' f' d' e' are one degree higher in the ms
30
8
-6
-5
-4
-6
-5
-9
-9
-8
-7
-9
ShiftForVoices
\shiftOff
No Shift
30
-12
-5
-3
1
-2
-3
-2
-3
-2
-5
Voice
\oneVoice
vAuto
Serif
24
1
1
1
1
0
-1
-2
-3
-4
-5
-6
-5
-4
-3
-2
-9
-8
-7
-6
-8
-7
-6
-7
-9
-8
-7
-6
-13
-11
-10
Voice
\voiceFour
v4
Serif
24
1
1
1
-9
0
0
-1
-3
-2
0
-1
-6
-5
-4
-4
-5
-7
-6
-9
-8
-7
-7
-8
-10
-9
-8
-7
-6
1
-5
-8
-7
-6
-5
-9
-2
-9
-4
-4
-7
0
-7
-10
-10
-7
-9
-8
-10
-6
-10
-7
-6
-5
-9
-8
-8
-7
-7
-6
-10
-9
-6
-10
-7
-11
-10
-14
-11
-13
-10
-12
-9
-13
-10
-14
-11
-13
-12
-14
-10
-14
-14
ShiftForVoices
\shiftOff
No Shift
30
-4
PolyphonicRest
\rest
emmentaler
262
-5
0
-2
SuggestedAccidental
^\markup \flat
♭
Sans
30
-100
-1
0
-1
-2
-3
-4
-5
-6
-5
-4
-3
-2
-1
-7
PolyphonicRest
\rest
emmentaler
262
-6
-3
-5
-4
-3
-4
-5
-6
-7
-8
-9
-8
-7
-6
-5
-4
-10
-9
-8
-7
-6
-5
-4
-3
-4
-10
-7
-9
-8
-10
-6
-10
Voice
\oneVoice
vAuto
Serif
24
1
1
1
-7
-3
-4
-5
-6
-7
-2
-3
-2
-6
-2
-3
-4
-5
-6
-1
-2
-1
-5
-3
-4
-5
-6
-5
-12
-13
-12
Voice
\voiceFour
v4
Serif
24
1
1
1
-9
-8
-8
-7
-7
-6
-5
SuggestedAccidental
^\markup \natural
♮
Sans
30
-100
-4
-3
-2
-3
-4
-5
-6
-4
-5
-6
-7
-8
-9
-10
-9
-8
-7
-6
-5
-4
-3
-2
-1
WarnAccidental
!
-2
-3
-4
-5
-6
-7
-8
-7
-6
-5
-4
-3
-2
-1
SuggestedAccidental
^\markup \natural
♮
Sans
30
-100
0
-1
-2
-3
-4
-5
-6
-5
SuggestedAccidental
^\markup \natural
♮
Sans
30
-100
-4
-5
-6
-7
-8
-9
-10
-9
-8
-7
-6
-5
-4
-3
-7
-6
-5
-6
-7
-8
-9
-10
-11
-10
-9
-8
-7
-6
-5
-4
-3
-5
-4
-5
-6
-7
-8
-9
-10
-11
-10
-14
ShiftForVoices
\shiftOff
No Shift
30
-11
-13
-10
-12
-9
-13
-10
-14
-11
-13
-12
-14
-10
-14
4
2
Duration
\breve
emmentaler
6
NoteHead
\once \override NoteHead #'style = #'neomensural
nm
16
3072
-14
-7
5
61
1
0
100
100
100
100
TitledPiece
\titledPiece \markup "Galliarda"
Galliarda
120
voice 1
1
3
2
5
1
0
NONE
127
0
0
0
0
0
0
PianoStaffStart
\new PianoStaff <<
Piano Staff Start
52
Voice
\voiceOne
v1
Serif
24
1
1
1
0
1
1
0
2
0
2
-3
-2
-1
0
1
2
3
4
5
5
1
6
7
4
6
NoBarline
\bar ""
⋂
Denemo
24
30
20
-20
4
4
5
4
3
2
3
4
5
1
4
3
1
1
2
3
2
DoubleBarline
\bar "||"
DoubleBarline
30
4
PolyphonicRest
\rest
emmentaler
262
Text
^\markup \bold "Rep."
\bold "Rep."
20
-100
6
-3
-2
-1
0
1
2
3
4
3
2
1
1
-3
0
2
-3
-2
-1
0
1
2
3
4
3
4
5
5
4
6
4
6
4
5
4
3
2
3
5
2
4
1
4
1
2
3
2
DoubleBarline
\bar "||"
DoubleBarline
30
4
Text
^\markup \bold "2"
\bold "2"
20
-100
2
2
2
2
6
1
7
8
7
6
7
5
1
6
8
7
6
4
2
5
5
6
1
7
8
7
6
5
10
9
8
7
6
5
4
5
4
2
5
5
DoubleBarline
\bar "||"
DoubleBarline
30
4
Text
^\markup \bold "Rep."
\bold "Rep."
20
-100
2
2
2
2
6
7
6
7
8
7
5
8
6
7
6
7
5
6
7
8
6
7
5
6
4
2
3
2
1
2
3
4
5
2
3
4
5
6
7
6
5
6
7
8
9
10
9
8
7
6
5
7
6
5
4
5
6
2
3
4
5
4
5
4
3
2
1
0
-1
0
5
DoubleBarline
\bar "||"
DoubleBarline
30
4
PolyphonicRest
\rest
emmentaler
262
Text
^\markup \bold "3"
\bold "3"
20
-100
7
7
5
3
PolyphonicRest
\rest
emmentaler
262
6
4
2
0
1
2
3
4
5
6
5
8
6
PolyphonicRest
\rest
emmentaler
262
6
1
2
3
3
4
4
2
5
2
5
1
2
1
0
-1
PolyphonicRest
\rest
emmentaler
262
6
5
6
6
7
7
8
7
1
4
6
5
4
5
6
7
5
6
4
5
5
5
4
1
4
3
NoBarline
\bar ""
⋂
Denemo
24
30
20
-20
4
1
2
3
2
DoubleBarline
\bar "||"
DoubleBarline
30
4
PolyphonicRest
\rest
emmentaler
262
Text
^\markup \bold "Rep."
\bold "Rep."
20
-100
6
7
SuggestedAccidental
^\markup \flat
♭
Sans
30
-100
6
CriticalComment
The B-flat is conjectural
30
8
5
4
3
1
4
3
2
1
0
1
2
3
4
5
6
7
8
1
8
7
6
PolyphonicRest
\rest
emmentaler
262
8
1
2
3
3
4
4
2
5
2
5
1
2
1
0
-1
PolyphonicRest
\rest
emmentaler
262
8
5
6
6
7
7
8
7
1
6
5
4
5
6
7
5
6
4
5
5
5
4
1
4
3
1
2
3
2
8
4
HideTimesig
\once \override Staff.TimeSignature #'stencil = ##f
⋂
Denemo
24
-10
Voice
\voiceTwo
v2
Serif
24
1
1
1
Duration
\breve
emmentaler
6
NoteHead
\once \override NoteHead #'style = #'neomensural
nm
16
NoteColumnShift
\once \override NoteColumn #'force-hshift = #1.2
1.2
16
3072
2
CriticalComment
This final chord may be just a notational flourish to mark the end of the piece, since other pieces have such repeated final chords that are quite clearly not intended for performance.
30
8
ClosingBarline
\bar "|."
ClosingBarline
30
4
voice 5
1
3
2
5
3
0
NONE
127
0
0
0
1
0
0
BarNumbers
\context Score \applyContext #(set-bar-number-visibility 4000)
BarNumbers
4
Voice
\voiceTwo
v2
Serif
24
1
1
1
1
0
0
1
4
1
0
-1
1
0
-1
-2
-1
0
0
-1
0
-1
0
-1
-2
-1
0
0
DoubleBarline
\bar "||"
DoubleBarline
30
4
2
3
2
1
0
1
2
0
Voice
\voiceOne
v1
Serif
24
1
1
1
ShiftForVoices
\shiftOn
Shift
30
3
4
2
3
Voice
\voiceTwo
v2
Serif
24
1
1
1
0
-1
1
0
0
0
-1
-3
0
-3
0
DoubleBarline
\bar "||"
DoubleBarline
30
4
-1
0
-1
0
-2
1
-1
1
0
-1
-1
1
2
2
1
3
4
3
2
3
1
1
2
3
2
1
0
5
4
3
2
1
0
-1
0
1
2
1
2
CriticalComment
Last note is c' in ms
30
8
1
1
0
1
0
DoubleBarline
\bar "||"
DoubleBarline
30
4
PageBreak
\pageBreak
page
10
-1
0
1
-1
0
-2
-1
1
0
-1
0
-2
-1
0
1
-1
0
-1
1
4
4
3
1
4
-1
0
1
2
1
0
1
0
1
1
4
3
2
3
1
0
0
1
2
2
1
1
1
0
0
1
-1
0
0
-1
-3
0
-3
0
DoubleBarline
\bar "||"
DoubleBarline
30
4
3
4
5
4
3
4
2
3
1
4
-1
0
1
2
1
0
1
0
1
1
4
3
2
3
1
4
0
0
1
2
2
1
1
1
0
0
1
-1
0
0
-1
-3
0
-3
0
8
4
HideTimesig
\once \override Staff.TimeSignature #'stencil = ##f
⋂
Denemo
24
-10
Voice
\voiceOne
v1
Serif
24
1
1
1
Duration
\breve
emmentaler
6
NoteHead
\once \override NoteHead #'style = #'neomensural
nm
16
3072
-3
0
4
PageBreak
\pageBreak
page
10
ClosingBarline
\bar "|."
ClosingBarline
30
4
voice 2
1
3
2
5
3
0
NONE
127
0
0
0
2
0
0
Voice
\voiceTwo
v2
Serif
24
1
1
1
1
StaffChange
\change Staff="voice 3"
⇒voice 3
Denemo
12
50
-1
-7
StaffChange
\change Staff="voice 1"
⇒voice 1
Denemo
12
50
-1
-3
-3
DoubleBarline
\bar "||"
DoubleBarline
30
4
1
1
1
Voice
\voiceTwo
v2
Serif
24
1
1
1
StaffChange
\change Staff="voice 3"
⇒voice 3
Denemo
12
50
-1
1
-7
Voice
\voiceThree
v3
Serif
24
1
1
1
-7
DoubleBarline
\bar "||"
DoubleBarline
30
4
StaffChange
\change Staff="voice 1"
⇒voice 1
Denemo
12
50
-1
Voice
\voiceTwo
v2
Serif
24
1
1
1
-3
-2
-3
-2
StaffChange
\change Staff="voice 3"
⇒voice 3
Denemo
12
50
-1
Voice
\voiceThree
v3
Serif
24
1
1
1
-3
-2
-3
-5
-3
-2
-3
-2
-3
-2
-3
-5
1
PolyphonicRest
\rest
emmentaler
262
2
-2
-2
-2
-3
-3
-3
-3
-2
-2
-2
1
0
-1
-2
-2
-2
CriticalComment
Tie is missing in ms; it is also absent in the repeat, so perhaps the ommission is intended.
30
8
1
-3
-5
-4
-2
PolyphonicRest
\rest
emmentaler
262
-1
-3
PolyphonicRest
\rest
emmentaler
262
-1
-3
PolyphonicRest
\rest
emmentaler
262
-1
-3
-3
-2
-2
CriticalComment
The note a' is missing (see previous section)
30
8
ChordComment
The note a' is missing
8
-2
1
0
-1
PolyphonicRest
\rest
emmentaler
262
0
-2
PolyphonicRest
\rest
emmentaler
262
0
-2
-2
CriticalComment
Tie is missing in ms (see before)
30
8
1
-3
-5
-4
-2
-3
-6
-3
-3
-4
-3
-2
PolyphonicRest
\rest
emmentaler
262
0
-3
-4
-5
-4
-4
-3
-3
-2
-4
-3
-5
-4
-4
-4
-5
NoteColumnShift
\once \override NoteColumn #'force-hshift = #0.7
0.7
16
-6
-7
-6
CriticalComment
The left hand figure is missing in ms.
30
8
Parenthesize
\parenthesize
()
16
Parenthesize
\parenthesize
()
16
-7
Parenthesize
\parenthesize
()
16
-10
-7
8
4
HideTimesig
\once \override Staff.TimeSignature #'stencil = ##f
⋂
Denemo
24
-10
Duration
\breve
emmentaler
6
NoteHead
\once \override NoteHead #'style = #'neomensural
nm
16
NoteColumnShift
\once \override NoteColumn #'force-hshift = #1.2
1.2
16
3072
-10
voice 3
1
3
2
5
1
0
NONE
127
0
0
0
3
0
0
Voice
\voiceThree
v3
Serif
24
1
1
1
-5
-3
-4
-3
-3
-3
-6
-3
-4
-3
-4
-3
-4
-5
-4
-3
-6
-5
-6
-7
1
-7
-6
-5
-6
-7
-6
-7
-10
-7
DoubleBarline
\bar "||"
DoubleBarline
30
4
-3
-6
-5
-4
-3
-4
-3
-10
-3
-4
-5
-6
PolyphonicRest
\rest
emmentaler
262
-8
-10
-10
DoubleBarline
\bar "||"
DoubleBarline
30
4
-5
-5
-5
-1
0
-2
1
-2
-2
-2
-2
-5
-2
-5
-4
-5
DoubleBarline
\bar "||"
DoubleBarline
30
4
-5
2
2
2
-1
0
-2
-4
-5
-2
-5
-2
DoubleBarline
\bar "||"
DoubleBarline
30
4
0
-2
-3
0
-3
-5
StaffChange
\change Staff="voice 1"
⇒voice 1
Denemo
12
50
-1
Voice
\voiceTwo
v2
Serif
24
1
1
1
1
1
3
StaffChange
\change Staff="voice 3"
⇒voice 3
Denemo
12
50
-1
Voice
\voiceFour
v4
Serif
24
1
1
1
PolyphonicRest
\rest
emmentaler
262
-8
-6
-6
PolyphonicRest
\rest
emmentaler
262
-6
-5
Voice
\voiceThree
v3
Serif
24
1
1
1
-3
-6
-3
-3
-4
-3
-2
-3
-4
-5
CriticalComment
This is highly idiomatic writing for the short octave keyboard
30
8
-4
-4
-3
-3
-2
-4
-3
-5
-4
-4
-4
-5
NoteColumnShift
\once \override NoteColumn #'force-hshift = #0.7
0.7
16
-6
-7
-6
-7
-10
-7
DoubleBarline
\bar "||"
DoubleBarline
30
4
0
SuggestedAccidental
^\markup \flat
♭
Sans
30
-100
-1
CriticalComment
The B-flat is conjectural
30
8
-2
-3
-4
-5
-6
-7
-6
-5
-4
-3
-2
-1
0
Voice
\voiceTwo
v2
Serif
24
1
1
1
StaffChange
\change Staff="voice 1"
⇒voice 1
Denemo
12
50
-1
1
2
StaffChange
\change Staff="voice 3"
⇒voice 3
Denemo
12
50
-1
Voice
\voiceThree
v3
Serif
24
1
1
1
-2
-3
-2
StaffChange
\change Staff="voice 3"
⇒voice 3
Denemo
12
50
-1
Voice
\voiceFour
v4
Serif
24
1
1
1
PolyphonicRest
\rest
emmentaler
262
-6
-6
-6
PolyphonicRest
\rest
emmentaler
262
-6
-5
-6
8
4
HideTimesig
\once \override Staff.TimeSignature #'stencil = ##f
⋂
Denemo
24
-10
voice 4
1
3
2
5
3
0
NONE
127
0
0
0
4
0
0
BarNumbers
\context Score \applyContext #(set-bar-number-visibility 4000)
BarNumbers
4
BraceEnd
>>%Brace End
Brace End
1
52
Voice
\voiceFour
v4
Serif
24
1
1
1
-7
-8
-9
-8
-7
-8
-9
-8
-14
-7
-7
-5
-8
-6
-9
-7
-10
-10
-12
-11
-10
1
-9
-10
-11
-12
-14
-10
-3
-14
-14
DoubleBarline
\bar "||"
DoubleBarline
30
4
-7
-5
-8
-6
-7
-10
-9
-8
-7
-6
-5
-4
-3
-4
-5
-6
-7
-6
-7
-8
-9
-8
-7
-9
-6
-8
-7
-6
-10
-5
-6
-5
-12
-11
-4
-7
-11
-10
-9
-8
-10
-9
-8
-7
-8
-9
-10
-9
-10
-11
-10
-9
-8
-7
-6
-5
-4
-3
-5
-4
-3
-10
-9
-8
-10
-14
-14
-10
DoubleBarline
\bar "||"
DoubleBarline
30
4
-12
-9
-12
-9
-12
-9
-12
-12
-5
1
-2
-3
-2
-3
-2
-5
-5
1
-6
-7
-6
1
-9
-8
-7
-6
-12
-9
-9
DoubleBarline
\bar "||"
DoubleBarline
30
4
-12
-9
-12
-9
-5
-12
-5
-9
-5
-12
-5
-12
-5
-5
1
-2
-3
-2
-3
-2
-5
-5
1
-6
-7
-6
1
-9
-8
-7
-6
-12
-9
-7
-5
-9
-5
DoubleBarline
\bar "||"
DoubleBarline
30
4
-4
-4
-7
-7
-10
-9
-8
-7
-6
-5
-4
-5
-6
-7
-8
-9
-10
-10
-7
-9
-6
-5
-9
-9
-8
-8
-7
-7
-6
-10
-6
-9
-6
-10
-6
CriticalComment
The note C is missing (see next section)
30
8
-14
-11
-13
-10
-12
-9
-13
-10
-14
-11
-11
-13
-12
-14
-10
-3
1
-14
DoubleBarline
\bar "||"
DoubleBarline
30
4
-4
-4
-7
-3
-6
-10
-10
-7
-9
-6
-5
-9
-9
-8
-8
-7
-7
-6
-10
-6
-9
-6
-10
-6
-14
-11
-13
-10
-12
-9
-13
-10
-14
-11
-11
-13
-12
-14
-10
-3
-14
-10
-7
-14
-10
-7
8
4
HideTimesig
\once \override Staff.TimeSignature #'stencil = ##f
⋂
Denemo
24
-10
Duration
\breve
emmentaler
6
NoteHead
\once \override NoteHead #'style = #'neomensural
nm
16
3072
-14
-7
1
64
0
0
100
100
100
100
TitledPiece
\titledPiece \markup "Appendix I - Lute Version 1"
Appendix I - Lute Version 1
120
voice 4
1
4
4
5
1
0
NONE
127
0
0
0
3
0
0
StaffSize
\with {
fontSize = #-3
\override StaffSymbol #'staff-space = #(magstep -3)
}
StaffSize
4
CriticalComment
From Georg Leopold Fuhrmann Testudo Gallo-Germanica (Nürnberg, 1615); transcriber unknown. My thanks to Edgar Aichinger for help with this version.
30
8
voice 2
1
4
4
5
1
0
NONE
127
0
0
0
1
0
0
StaffSize
\with {
fontSize = #-3
\override StaffSymbol #'staff-space = #(magstep -3)
}
StaffSize
4
Voice
\voiceFour
v4
Serif
24
1
1
1
-7
-3
-7
-7
-3
-3
-9
-3
-10
-3
-5
-11
-9
-7
-10
-6
-11
-2
-12
-2
-11
-4
-12
-10
-10
-6
1
-14
-7
-5
-14
-7
-5
-12
-3
-9
-5
-9
-5
-9
-12
-5
-5
-2
-2
-5
-1
-6
1
-6
-9
-2
-3
-2
0
-1
-6
1
-4
-9
-2
-7
-10
-7
-5
-1
-7
-2
-6
-5
-1
-9
0
-9
-5
-2
0
-4
-7
-10
-3
-3
-1
0
-10
-3
-5
-7
-3
-9
-5
-8
-1
-6
-2
-10
-3
-3
-7
-3
-6
-5
-9
-8
-6
-7
-6
-4
-10
-3
-3
-2
-2
-6
-2
-10
-3
-7
-3
-11
-4
-5
-10
-6
-6
-14
-3
-12
-11
-4
-12
-10
-3
-12
-9
-12
-4
-10
-3
-14
-5
-11
-4
-2
-12
-4
-12
-10
-6
0
-14
-3
-14
0
ClosingBarline
\bar "|."
ClosingBarline
30
4
PageBreak
\pageBreak
page
10
voice 3
1
4
4
5
3
0
NONE
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\voiceThree
v3
Serif
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ClosingBarline
\bar "|."
ClosingBarline
30
4
voice 5
1
4
4
5
3
0
NONE
127
0
0
0
3
0
0
Voice
\voiceOne
v1
Serif
24
1
1
1
StaffChange
\change Staff="voice 4"
⇒voice 4
Denemo
12
50
-1
2
PolyphonicRest
\rest
emmentaler
6
6
StaffChange
\change Staff="voice 2"
⇒voice 2
Denemo
12
50
-1
1
-8
-9
-3
-8
StaffChange
\change Staff="voice 4"
⇒voice 4
Denemo
12
50
-1
2
3
4
1
5
StaffChange
\change Staff="voice 2"
⇒voice 2
Denemo
12
50
-1
-4
-5
-4
StaffChange
\change Staff="voice 4"
⇒voice 4
Denemo
12
50
-1
6
7
5
6
7
6
5
4
0
-1
0
1
0
-1
-2
-1
0
4
-1
3
4
3
2
4
3
4
0
-1
5
6
5
0
-1
-2
4
3
4
5
4
3
2
3
4
5
-2
-1
0
1
2
3
4
StaffChange
\change Staff="voice 2"
⇒voice 2
Denemo
12
50
-1
-3
0
-11
StaffChange
\change Staff="voice 4"
⇒voice 4
Denemo
12
50
-1
-1
-3
-2
-1
0
1
2
3
4
2
3
2
1
0
-1
-2
-1
0
StaffChange
\change Staff="voice 2"
⇒voice 2
Denemo
12
50
-1
-6
-1
-2
0
-1
1
0
0
0
2
-5
0
1
-1
0
-2
-1
0
1
-1
1
0
1
-1
1
0
-1
-2
-1
StaffChange
\change Staff="voice 4"
⇒voice 4
Denemo
12
50
-1
6
7
6
7
2
8
7
8
6
8
7
8
6
8
7
6
5
4
3
4
5
4
5
-2
2
3
4
2
4
3
4
2
4
5
6
1
7
1
2
6
4
1
6
2
3
4
5
4
3
4
5
6
5
6
5
4
3
5
4
5
StaffChange
\change Staff="voice 2"
⇒voice 2
Denemo
12
50
-1
-5
-4
2
0
2
2
-2
-4
-5
StaffChange
\change Staff="voice 4"
⇒voice 4
Denemo
12
50
-1
5
6
7
1
2
6
4
1
6
6
StaffChange
\change Staff="voice 2"
⇒voice 2
Denemo
12
50
-1
-8
StaffChange
\change Staff="voice 4"
⇒voice 4
Denemo
12
50
-1
5
-1
4
-2
6
1
6
5
3
6
4
5
5
4
1
5
-2
5
5
StaffChange
\change Staff="voice 2"
⇒voice 2
Denemo
12
50
-1
-4
StaffChange
\change Staff="voice 4"
⇒voice 4
Denemo
12
50
-1
7
5
0
6
7
5
-1
0
3
2
-3
3
4
2
StaffChange
\change Staff="voice 2"
⇒voice 2
Denemo
12
50
-1
-4
-3
StaffChange
\change Staff="voice 4"
⇒voice 4
Denemo
12
50
-1
0
1
2
3
4
5
6
7
8
7
3
6
4
StaffChange
\change Staff="voice 2"
⇒voice 2
Denemo
12
50
-1
-4
-3
StaffChange
\change Staff="voice 4"
⇒voice 4
Denemo
12
50
-1
3
2
1
2
3
4
5
StaffChange
\change Staff="voice 2"
⇒voice 2
Denemo
12
50
-1
-6
StaffChange
\change Staff="voice 4"
⇒voice 4
Denemo
12
50
-1
2
5
4
4
0
-1
4
3
2
4
3
4
StaffChange
\change Staff="voice 2"
⇒voice 2
Denemo
12
50
-1
-5
-4
StaffChange
\change Staff="voice 4"
⇒voice 4
Denemo
12
50
-1
1
-1
2
-2
-1
2
-1
3
-1
0
3
0
4
0
1
4
1
5
StaffChange
\change Staff="voice 2"
⇒voice 2
Denemo
12
50
-1
-5
StaffChange
\change Staff="voice 4"
⇒voice 4
Denemo
12
50
-1
4
3
2
1
StaffChange
\change Staff="voice 2"
⇒voice 2
Denemo
12
50
-1
-5
-4
-3
-4
2
-4
-3
-2
-3
-2
-5
StaffChange
\change Staff="voice 4"
⇒voice 4
Denemo
12
50
-1
5
StaffChange
\change Staff="voice 2"
⇒voice 2
Denemo
12
50
-1
-3
-4
StaffChange
\change Staff="voice 4"
⇒voice 4
Denemo
12
50
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3
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8
7
6
3
7
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7
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2
3
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\bar "|."
ClosingBarline
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\titledPiece \markup "Appendix 2 - Pavan"
Appendix 2 - Pavan
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poly voice 2
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NONE
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CriticalComment
Cambridge University Library MS Dd.5.78.3 (ca. 1600), f.65v; Dd.9.33 (ca. 1600), f.14v. Encoded and edited by Sarge Gerbode.
30
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\bar ":..:"
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\bar ":|."
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2
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1
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-10
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1
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-10
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RepeatEnd
\bar ":|."
RepeatEnd
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100
100
100
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TitledPiece
\titledPiece \markup "Appendix 3 - Galliard"
Appendix 3 - Galliard
120
lute
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NONE
127
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StaffSize
\with {
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StaffSize
4
CriticalComment
Cambridge University Library MS Dd.9.33 (C) (ca. 1600), f.15. Encoded and edited by Sarge Gerbode.
30
8
-7
-5
-3
0
-4
1
-8
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1
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1
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1
-9
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ClosingBarline
\bar "|."
ClosingBarline
30
4